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Linocut: Foundations & Beyond

$507.00

This five-day intensive linocut workshop offers participants a comprehensive introduction to both single-colour linocut and the lino reduction printing process.

The course begins with the fundamentals of image design, carving techniques, safe tool handling and the use of printmaking materials. Students first produce and print a small edition from a one-colour block, gaining confidence in inking and hand-printing methods.

The workshop then progresses to lino reduction printing, where participants learn how to carve and print successive colour layers from a single block. Emphasis is placed on registration, colour sequencing and planning images through multiple stages of reduction.

As skills develop, many participants begin a second edition to further refine their techniques. Alongside practical studio work, the course includes discussions on editioning, archival storage, framing and exhibiting prints. Daily reflection and group “show and tell” sessions foster a supportive environment for experimentation, critical feedback and creative growth.

This five-day intensive linocut workshop offers participants a comprehensive introduction to both single-colour linocut and the lino reduction printing process.

The course begins with the fundamentals of image design, carving techniques, safe tool handling and the use of printmaking materials. Students first produce and print a small edition from a one-colour block, gaining confidence in inking and hand-printing methods.

The workshop then progresses to lino reduction printing, where participants learn how to carve and print successive colour layers from a single block. Emphasis is placed on registration, colour sequencing and planning images through multiple stages of reduction.

As skills develop, many participants begin a second edition to further refine their techniques. Alongside practical studio work, the course includes discussions on editioning, archival storage, framing and exhibiting prints. Daily reflection and group “show and tell” sessions foster a supportive environment for experimentation, critical feedback and creative growth.

ESSENTIAL INFO

If you purchase a ticket for this course, all the information on this page will be emailed to you with your ticket.

👥 Ages: Must be 14+

📍 Venue: Bellingen High School (Wheelchair Accessible)

📈 Level: Suitable for all skill levels

⏰ Schedule: Mon–Fri, 9am – 4pm (5 Full-Days)

🏷️ Extra costs: This course has a cost of $125 for materials

⚠️ Extra info: This course is held in a small room, with only 6 lathes, it can get hot and noisy and is not suitable for students with mobility issues.

Required skills & experience

  • No prior experience is necessary.

Participants should have:

  • A willingness to learn new techniques

  • Patience and attention to detail

  • An openness to group discussion and reflection

  • Those with previous experience will be supported to deepen their technical and conceptual understanding of lino reduction.

Supplies that will be provided by your tutor

Cost of $125 includes:

  • 1 piece of lino

  • 1 set of lino cutting tools to take home

  • 4 pieces of archival paper

  • 5 pieces of proofing paper

  • Printmaking ink to use in class, variety of colours

  • Incidentals (handcleaner, lino cleaner, transfer paper, masking tape, tracing paper etc)

NOTE: Supply costs will be collected by the tutor before Camp Creative.

Supplies that you need to bring to class

  • Visual Art Journal

  • Pens

  • Pencil

  • Brushes

  • Apron

  • Gloves

  • Covered shoes

  • Variety of art paper

  • Images and ideas for inspiration

Learning outcomes

  • By the end of the workshop, students will leave with at least 3 completed linocut editions.

  • A strong understanding of both single-colour and lino reduction printing processes

  • The confidence to continue developing their own printmaking practice independently.

  • Participants will also receive detailed notes and technical guidance from Rachel throughout the week to add to their visual diaries, providing an ongoing resource for future printmaking and studio development.

WEEK PLAN

DAY ONE - Foundations of Linocut

On the first day, participants will be introduced to the Camp Creative safety and induction information to ensure a safe and supportive studio environment.

The session will also begin with a simple ice-breaker activity, inviting everyone to introduce themselves, share where they are from, and what inspires them creatively. This helps start our print community by encouraging conversation, building connections, and creating a relaxed and welcoming atmosphere for both students and tutor.

Rachel then introduces the essentials of linocut and design.

Participants develop and carve a simple one-colour design while learning about:

  • The printmaking process

  • Tools and safe carving techniques

  • Archival printmaking papers

  • The Australian history of linocut

  • Rachel’s professional experience in the printmaking field

  • The day concludes with a group reflection and “show and tell.”

DAY TWO - Printing and Introduction to Lino Reduction

  • Participants print a small edition of their one-colour linocut. The class then begins designing and carving a lino reduction print.

  • Rachel guides students through the reduction method — progressively carving away the block between colour layers to build a multi-colour image from a single block.

  • The day ends with group discussion and shared reflection.

DAY THREE - Reduction Printing

  • Students begin printing the successive colour layers of their lino reduction print. Emphasis is placed on registration, ink handling and colour relationships.

  • Participants will gain a clear understanding of planning and sequencing colours in the reduction process.

  • Many students will produce their finished edition of their coloured lino reductions.

  • The session concludes with a group “show and tell.”

DAY FOUR - Confidence and Complexity

  • With a growing understanding of lino reduction, students continue carving and printing their reduction block, refining their control of layering, timing and decision-making.

  • Many participants will begin their second lino cut edition, applying the knowledge gained earlier in the week with greater independence and confidence. This second work allows students to consolidate their technical skills while developing stronger design and colour choices.

  • The day concludes with group reflection and “show and tell.”

DAY FIVE - Editioning and Professional Practice

  • Participants complete their lino reduction edition for the week.

  • Rachel discusses:

    • Proper storage of prints

    • Archival framing techniques

    • Editioning conventions

    • Preparing work for exhibition

    • Navigating the broader printmaking world

  • If possible, the workshop concludes with a small informal exhibition of participants’ finished works, displayed for family and friends.

  • Students leave with a comprehensive understanding of linocut processes and the confidence to continue carving, printing and exhibiting their work.

COURSE TUTOR

Rachel Dun

Rachel Dun is a Northern NSW-based printmaker and educator.

With a background in Printmaking from Southern Cross University, she works across etching, linocut, woodblock, monoprint and artist books. Her art is deeply inspired by the natural environment and a strong connection to place.

Rachel’s work has been exhibited throughout Australia and collected by the State Libraries of NSW and Victoria. Alongside her own practice, she teaches printmaking at Byron Community College, where she encourages students to build skills, experiment creatively and develop their own artistic voice.

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